| 1 | What is "a shaving glass"? |
| | A | A piece of glass used to shave with. | false |
| | B | A mirror | true |
| | C | The container into which the shaving brush is put. | false |
| | D | The container for the old-fashioned hard shaving soap. | false |
| 2 | What made Jonathan start (what startled him) ? |
| | A | The sudden cut he made to his chin. | false |
| | B | The time showed him there was an error. | false |
| | C | A vague feeling of uneasiness which just made him jumpy. | false |
| | D | A hand on his shoulder and the Count speaking to him despite the fact that he had not been visible in the reflection. | true |
| 3 | What was the effect of the blood on Jonathan's chin? |
| | A | The Count made a grab for his throat, and his eyes blazed with a demoniac fury. | true |
| | B | The Count touched the crucifix beads. | false |
| | C | The Count looked for some sticking plaster. | false |
| | D | The crucifix made a change. | false |
| 4 | Why should Jonathan take care about cutting himself? |
| | A | In this country it was hard to get to a doctor and one could bleed to death in a short time. | false |
| | B | It is dangerous in this strange environment to have blood flowing from a wound. | true |
| | C | Cutting oneself has much to do with man's vanity. | false |
| | D | Cutting oneself in this country is against the law. | false |
| 5 | What had Jonathan never seen the Count do? |
| | A | Preparing food. | false |
| | B | Leaving the castle. | false |
| | C | Becoming violent and acting strange. | false |
| | D | Eat or drink. | true |
| 6 | Describe the view from the castle. |
| | A | Boring and dark, in keeping with ancient castles. | false |
| | B | A spiralling road can be seen from the castle, winding its way to the village. | false |
| | C | The castle was modern and the grounds had been landscaped with topiary. | false |
| | D | Magnificent. It is situated on the very edge of a terrific precipice. | true |
| 7 | What confirmed that there were no servants in the castle? |
| | A | The fact that the Count was making his bed. | true |
| | B | The fact that the Count said he could not tolerate strangers working for him. | false |
| | C | The fact that Jonathan was told to make his own bed. | false |
| | D | The fact that no other person except the count had been seen in the castle. | false |
| 8 | How long did the Count desire Jonathan to reside with him? |
| | A | A week | false |
| | B | A fortnight | false |
| | C | Until the property deal had been concluded. | false |
| | D | A month. | true |
| 9 | Jonathan was told not to discourse of certain things in his letters. What was he to write about in these letters? |
| | A | About trivialities and the rudeness of the Count. | false |
| | B | About business, assuring them of his well-being and his imminent return. | true |
| | C | About the three ladies who wanted to kiss him in the other room. | false |
| | D | About the danger that this visit to the castle posed to his life, and his growing apprehension. | false |
| 10 | Why should Jonathan take care with what he wrote in his letters |
| | A | His friends and loved ones might be endangered if he wrote the wrong things. | false |
| | B | Mina would be devastated if she knew he was in danger. | false |
| | C | Mr Hawkins really wanted him to write to him in secret, and to Mina he would write in shorthand. | false |
| | D | He knew that his letter/s would be read by the count. | true |
| 11 | What advice did the count give Jonathan about leaving the rooms he was in? |
| | A | That he should not go to sleep in other rooms. | true |
| | B | That he should be careful about getting lost in the huge castle. | false |
| | C | That he should be careful about being caught behind a locled door. | false |
| | D | That he should be careful about other people who might harm him in the castle, and rather stay put. | false |
| 12 | What weird spectacle filled Jonathan with terror and repulsion? |
| | A | The view of Dracula dressed for a fancy-dress party. | false |
| | B | The strange way in which the Count spoke and moved about. | false |
| | C | The count moving like a lizard down the wall. | true |
| | D | Spiders were coming from an open window and slowly making their way down the castle walls. | false |
| 13 | What seemed a good idea to do while the count had vanished? |
| | A | To explore the castle. | true |
| | B | To escape through the wire enclosure around the castle. | false |
| | C | To write another letter to Mina in a foreign language. | false |
| | D | To check the windows to see if there was some way of escape. | false |
| 14 | Describe the three ladies |
| | A | Old, wrinkly and terrible to behold | false |
| | B | Young, with brilliant white teeth against the ruby of their voluptuous lips. | true |
| | C | Young and skinny as though there was a shortage of nutrients in their diet. | false |
| | D | Two were fair and one was dark - all had dark piercing eyes. | false |
| 15 | What was strange about these women? |
| | A | That they looked like a triplet - all identical | false |
| | B | That they had masses of hair and eyes like sapphires. | false |
| | C | That they had no shadows. | true |
| | D | That
they had a silvery, musical laugh, but as hard as though the sound
never could have come thgrough the softness of human lips. | false |
| 16 | What desire did Jonathan feel in his heart? |
| | A | That they should kiss him with those red lips. | true |
| | B | That they should go away and leave him. | false |
| | C | That he could see them better | false |
| | D | That he would not be so afraid and unmanly in their presence. | false |
| 17 | Which girl/s advanced and bent over him while he was lying down in delightful anticipation? |
| | A | All three girls. | false |
| | B | The dark-haired girl. | false |
| | C | two dark haired girls. | false |
| | D | The fair-haired girl | true |
| 18 | What happened at that last instant? |
| | A | The girl/s turned away | false |
| | B | He felt the piercing of two sharp teeth in his neck | false |
| | C | Jonathan turned away, repulsed by the moisture on the shining lips. | false |
| | D | The count 's strong hand pulled the woman away. | true |
| 19 | What gift was brought in for the women? |
| | A | A bag with something alive inside. | true |
| | B | Beautiful rubies and sapphires. | false |
| | C | No gift, for they had annoyed the count. | false |
| | D | New dresses for them all. | false |
| 20 | What amazed Jonathan at the return of the count? |
| | A | The softness of his voice, like music. | false |
| | B | That the count could remain so calm even though Jonathan had gone against his wishes. | false |
| | C | The fury of the count, blazing eyes; his hurling the woman from him. | true |
| | D | The whisper of the count that seemed to cut through air. | false |
| 21 | What promise did the Count make? |
| | A | That there would be kisses for them all once he had finished. | true |
| | B | That there would be other men to kiss soon. | false |
| | C | That Jonathan would be released. | false |
| | D | That Mina would be arriving in due course. | false |
| 22 | What question did one of the fair maidens ask the count? |
| | A | Where he had been all that time while they had been waiting. | false |
| | B | Whether they were having nothing that night. | true |
| | C | What the master had brought for them. | false |
| | D | Whether they could have the bag and the contents of it. | false |
| 23 | Where did Jonathan wake up? |
| | A | In his own bed. | true |
| | B | On the couch where he had fallen asleep the night before. | false |
| | C | In the Count's suite, carried there by the Count no doubt. | false |
| | D | In his own room on his couch, with his clothes neatly folded next to him. | false |
| 24 | Why did the count urge Jonathan to write three letters saying that he was going to leave for home within a few days? |
| | A | To make it appear that Jonathan had left the count unscathed before he disappeared. | true |
| | B | The count explained that the mailing service was erratic and one had to mail everything far in advance. | false |
| | C | To make sure that if one of the letters went missing at least the others would arrive. | false |
| | D | Because this seemed the proper thing for a host to suggest, along with handing him lovely stationery. | false |
| 25 | What date had to be put on the letters? |
| | A | June 30 | false |
| | B | June 29 | true |
| | C | 1 June | false |
| | D | 11 June | false |
| 26 | What did this date signify to Jonathan? |
| | A | That that would be the day of his release. | false |
| | B | That the count was having second thoughts about keeping him so long. | false |
| | C | That he now knew the span of his life- he had been handed his date of execution.. | true |
| | D | That the count was well organised and had taken meticulous care with all contingencies. | false |
| 27 | A new solution seems at hand for Jonathan. What is it? |
| | A | He could enlist the help of the Szgany gypsies to smuggle a letter to Mina. | true |
| | B | He could enlist the help of the Szgany gypsies to have himself smuggled out of the castle confines. | false |
| | C | He could disguise himself as a gypsy and leave with them. | false |
| | D | He could pay them handsomely to tell the mayor in the nearest town of his predicament. They would accept his gold. | false |
| 28 | When the count sat down next to Jonathan he took out something interesting. What? |
| | A | Some gold coins he had collected from the Szgany. | false |
| | B | Some photographs he wanted to share with Jonathan. | false |
| | C | A small picture of his wife from long ago. | false |
| | D | A letter written in shorthand, described by the count as a vile thing, an outrage to friendship and hospitality. | true |
| 29 | What was done to this item? (in question 28)? |
| | A | It was consumed by fire. | true |
| | B | The count hurled it into the fireplace. | false |
| | C | The count calmly gave it to Jonathan. | false |
| | D | The strange symbols on it mystified him and he asked for clarification. | false |
| 30 | What is the prevailing tone used in this narration? |
| | A | Ridicule | false |
| | B | Unbelief | false |
| | C | Suspense and horror. | true |
| | D | Whimsy and fantasy | false |